Frequently asked questions

1. How long do the works of art last?

All murals on walls, facades and in fountains will remain in place even after September 30, 2023. The installations and works of art at the Street Art Jam in Lindenpark are different. These will be dismantled again at the end of September/beginning of October.

2. Do I have to pay an entrance fee or buy a ticket?

The open-air exhibition is open throughout the city and to anyone interested. Admission is free, but we are happy to have a small donationif you want to support the arts and the festival

3. Where can I get the printed festival card with the program and all works of art on it?

The festival card can be found at our catering and event partners. You can get them there for free. Here you can find a list of all providers in Frauenfeld.

4. What exactly are the ideas of the individual works of art?

If you want to find out more about the works of art, you can get to know many of the artists during the opening ceremony and ask them about them. You also have the option of a Guided tour to bookto find out exciting background information about the festival and the works of art.

5. Mural, Stencil, Graffiti, Urban Knitting — What is that?

In our little Street art 1x1 Can you find out about the most important terms.

6. Who finances the festival?

The festival is financed with CHF 280,000 from the COVID Fund of the City of Frauenfeld, with CHF 150,000 from the Lottery Fund of the Canton of Thurgau, with sponsorship contributions of over CHF 150,000 and free contributions from the OK team and all helpers worth over CHF 200,000. During the entire duration of the festival, Donations collectedto create the financial basis for further implementation of the festival.

7. Was the festival commissioned by the city of Frauenfeld?

No The idea, concept and implementation of the festival were initiated by Monika & Marco Niedermann. The couple has lived and worked in their adopted home town of Frauenfeld for over 15 years. They submitted the festival concept to the city council via the cultural office, which convinced of the idea, offered the prospect of partial financing and real estate for use.